2017 dance house summer hits ! incl. lost frequencies, starley, low steppa, edx, croatia, squad calippo, inpetto, luke ! 2 cd compilation!

island people is a new band project consisting of mastering engineer conor dalton, grammy award winning producer david donaldson, and musician and dj graeme reedie. on their first self- titled record, they present their collaborative work that evolved over the past three years. being based in different cities, namely berlin and glasgow, files had to be exchanged back and forth between the three band members in order to create tracks. for their delicate sound structures, field recordings and other sound sources were heavily processed and rendered unrecognizable. layer after layer, the tracks came into being quiet naturally, not only reflecting their continuous way of working, but also incorporating their different and individual backgrounds: Òduring the whole creation of the album, we never realized our actions were quickly leading us into forming Èisland peopleÇ, we were too busy having fun, making music and sharing ideas.Ó the result of their collaboration is a timeless music that is as open as a natural phenomenon, developing a certain feeling of euphoria over time. all in all, Èisland peopleÇ is a pure listening record in the best tradition of ambient.

framed by two spoken word samples and wrapped in house and techno emotions, that know about electro and 90Õs electronica too: the new, second album of the leipzig and berlin based producer and live artist martin enke aka lake people moves in a fresh way. this time he shifts towards a focus on the essentials of electronic club music: sounds and groove, rough and playful interweaved with the aesthetic particles of techno. with his Òpoint epÓ, released on the berlin based imprint krakatau records in late 2012, his creative life as a producer for melancholic driven club tunes took off. several top notch djs played the tune Òpoint in timeÓ, lake people started to tour world-wide with his mesmerizing live set and produced countless remixes for colleagues from all around the globe. in 2015 he finally released his first album Òpurposely uncertain fieldÓ on the munich based label permanent vacation and delivered eleven tracks at the interface of techno, ambient, experimental and electronic, that bewitch with hymnal chords, yearningly melodies, detailed production, elaborate sound design and an overall introspective, emotive feeling. now, just shortly after he published a fresh ep on the dresden based imprint uncanny valley, lake people drops Òphase transitionÓ, a new album consisting of ten haunting tracks full of dance suspense. he recorded all between 2016 and early 2017 on various vintage analog synthesizers, uad and other creative interfaces. to find out if his latest pure slamming tracks work deep, he tried them out during his live shows in order to catch some new ideas directly from the dance floor.

love and money front man james grant has collaborated with producer gordy goudie to form the korvids, releasing a dance album. for the older generation who might want to bust a move once more in honour of their younger selves. james says, i wanted to be someone else for a while. sound different. write different. it can be dreary being me all the time..i sing most of my vocals on the record in falsetto, which, as we know, is the international language of disco. the korvids marry their love of disco and 70 s funk with influences such as deodato, massive attack, miles and anything else that takes their fancy. after the success of their debut release beach coma, which was picked up by sirius us radio and remixed by balaeric legend jose padilla, the duo released bad faith, a beauteous cut of late 70 s disco remixed by love & money and steely dan s producer gary katz. james was the front man for love and money, everyone s favourite band from the 1980 s who should have been massive but somehow werent. the other half of the korvids, gordy goudie, is also no stranger to the business having produced simple minds and playing bass and guitar for the primevals and echo and the bunnymen.

recognition opens up its archives and invites to a futuristic sentimental journey with respective stages set by the 9702. album contains a set of varied tracks recorded within five years after warsaw labels launch and its first release. extended compositions and short improvised sound notes resemble eccentric propositions of such labels as (early) warp or rephlex, standing next to melancholy-saturated minimalistic techno and abstract collage structures which prove out to share many characteristics of clicks n cuts movement of the second half of the 1990s. usage of human voice samples is an outstanding feature of many of these archive materials. entirety of mastered-anew content encompassing both records, contains all principal trademarks which distinguish jacek sienkiewiczs creations and his label recognition - utmost care about depth of sound sphere, experimental inclinations and focus on complex motoric aspect of the rhythmical base. this collection of music from recognitionÕs first five years, surprising for its freshness and sheer impetus, is a must for all fans of jacek sienkiewicz and polish electronic music of the turn of the 20th and 21st centuries. in connection with publication of yet-unheard tracks, jacek shares another slice of yet-unknown artistic vision, connecting sound with other media such as image, light and movement. recognition xx audio-video performance comes out in summer as a result of this retrospective look.

d‰m-funk is the kind of guy who seems like he d make great company: laid-back, affable, personable. but to truly get the guy, to really understand him, is to know a deep love of music like no other. dam s contribution to the dj-kicks series gives you an opportunity to do just that. it s a snapshot view into the mind of the pioneer of modern-funk musicÉ dj-kicks invites you to get to know the man behind the shades. dam makes a lifetime of digging and absorbing music that feels as laid-back as the santa ana breeze. years ago, he coined the term modern funk to give context to his music. the elements of the synth-heavy and multi-layered style are gloriously displayed on dj-kicks. -modern-funk is a combination of all the sounds on the mix,- he explains. -funk, boogie, electro, house, modern-soul, ambient tonesÉ a push and pull of nostalgia and progressiveness...- at a satisfying 19 songs, d‰m-funk s dj-kicks lets grooves breathe. this is a mix to happily get lost within, a document in vibe. unexpected contemporary joints mingle with lost gems from unlikely places. the exclusive d‰m-funk production -believer- makes its debut on dj-kicks, an extensive instrumental composition that on it s own could only be classified as signature modern-funk. the mix also includes dam s excellent collaboration with nite jewel, as nite-funk, on -can u read me?-

the sophisticated sound of hed kandis global dancefloor! sarring chris lake, marco lys, chris kaeser, funkagenda, tristan garner..

pilocka krach still means nothing but pilocka noise. sheÕs the charming queen of berlins post techno underground and a true recording & perfoming artist. her new release on her very own imprint greatest hits international is a conceptional framed double vinyl album and a journey diary of her last two years on tour around the globe, with mexico, detroit and her hometown roots in berlin as fixpoints on her neverending agenda. pilocka krach is ãsugar caneÒ & ãthe lost amigosÒ, her band and all at once. her style is pure electro post rave simplicity, where each single sound is either raw sampling cuts or deep growling synthesis. big basslines meet funky grooves and surprising hooks, grooving along with her own voice and a lot of other vocal features, whereever you go. each Ôn everthing gets the room it deserves and mingles alltogether to so much more, than just another stereo sum. never heard an album that dry and that wet at the same time, with an overall fun and jam factor, that is truly touching. she took her original style more than just a few steps further and sharpened her skills in an impressive and real straight forward way of raw funkyness and true storytelling. you canÕt listen to it without moving. pilocka is always surfing the right balance of how much, or better how less it needs, to keep it going, get down to the point of no return and beyond the miracle of repetition.

3 cd pack with t e c h n o

samuel rohrer, the multi-faceted, forward-thinking percussio- nist and producer behind the arjunamusic label, the ambiq trio and a wealth of other musical projects, has set out on his own with a new full-length solo album range of regularity as a double ep set with a deceptive title if ever there was one: the sonic experience of this record is, in fact, a highly irregular one (and a highly welcome one at that). constructed almost entirely upon electronically-treated recordings of acoustic in- strumentation, with a bare minimum of synthesizer voicing, ror vibrates with a compelling organicism as if old-growth black forest trees had conspired together to make an album of ultra-modern improvisational music. indeed, the record feels limned with contributions from some other intelligence, despite being a clear extension of the fluid, percussion-driven musical technique that rohrer has exhibited in previous years.

suction records is thrilled to present the debut archival album release by rx-101, a bedroom techno producer from the netherlands, erik jong. -like yesterdays- compiles 10 tracks from rx-101 s first two vinyl-only 12- eps, together with three cd/digital album exclusives. this previously unreleased material dates from 1997-1999, recorded live to cassette in a feverish burst of creativity, utilizing a small arsenal of classic techno instruments. here s rx-101 in his own words: -from childhood i loved dance music. in the 80s one of my older brothers always recorded mixes from the radio and we always listened to that. my other brother and sister took music lessons in electronic organ and when i was about 9 years old i did the same. i quit when i was 14. from childhood i was fascinated by synthesizers. in the late 80s i started more and more listening to dance and house music and it was 1991 when i started listening to techno from labels like underground resistance, transmat, metroplex, +8 records and warp

ten walls debut album ÒqueenÓ the long awaited debut album from the highly talented dance music producer and artist ten walls called -queen- will be available from the mid of march in a double cd package. ÒqueenÓ is an organic album consisting out of two parts. first part unravels into a story told through the fusion of strong classical influences, nu jazz, down-tempo electronica, indie & house. itÕs destined to captivate attention with the emphasis on feeling through listening. second part on the other hand is oriented towards feeling through movement and better reflects the side of ten walls known to the dancefloors. this album as one piece, just divided into two physical cdÕs. the package of the album looks like a book - a piece of art. the book includes photos, reflecting each track. Òi have pictured these musical pieces in my mind, as itÕs natural for the artist to exceed the professional competence and search for additional forms that would supplement your work, making it single piece of art.Ó - adds marijus (ten walls). the combination of arts is a very important thing to be noticed, each of them has itÕs space, place and role in the album. poetry and lyrics, photography / visual arts and music, altogether they make ÒqueenÓ more than just a music album. ten walls also made collaborations with very wide and different spectrum of musicians during the creation of his debut album ÒqueenÓ. renowned maestro petras geniu_as, good old friend vytautas sondeckis who contributed with a cello masterpiece, bass guitar domas aleksa, drummer marijus aleksa, singers jonatan bŠckelie, alx , monika liu, marijusÕ spiritual friend and teacher andrew, conductor ri?ardas _umila and nonet performers

der jazz drummer und hip hop produzent karriem riggins aus detroit kehrt mit seinem zweiten album fŸr stones throw zurŸck. headnod suite folgt dem alone together album und enthŠlt 29 instrumental tracks fŸr fans von j dilla, madlib und gleichgesinnten. karriem riggins war langjŠhriger vertrauter des 2006 verstorbenen j dilla und hat das the shining album nach dessen tod zur finalisierung gefŸhrt. zuletzt hat er fŸr common das black america again album produziert und arbeitete zuvor mit kŸnstlern wie erykah badu, kanye west, the roots und vielen anderen.

the latest work from florian hecker a script for machine synthesis is an experimental auditory drama and a model of abstraction. a script for machine synthesis presents a complex simplicity that spirals in an unending manner as an audio image of the uncanny valley. it is the third chapter in the trilogy of text-sound pieces hecker has collaborated with the philosopher reza negarestani. a resynthesized voice outlines procedure as procedure itself unfolds. the suggestive encounter with a pink ice cube is a conceptual point of departure for a scene in which linguistic chimeras of descriptors are materialized through synthetic trophies, mental props and auditory objects. hecker presents a synthesis of the gap in the valley which we almost know. the motifs hecker has staged in the last decade, the text, the sound, the scent, the obelisk, the demon, the self, the other all appear throughout in a thorough, rigid and formal exploration. exeunt all human actors, a script for machine synthesis is an experiment in putting synthetic emptiness back into synthetic thought.

seelenvoller detroit-techno: eine heimkehr zu den eigenen wurzeln.

(1 cd album in a jewel case) the album is newly recorded sound track of the >a trip to the moon< film by georges melies in 1902. the lobster films in france has released a dvd of the same film with jeff mills sound tracks in november 2016.the famous silent film is only for 16 minutes or so but mills has finished the entire tracks for this sound track album

rewarding those who have been loyal to the trance genre for so long, trance 100 is back with its final installment of the year. to close off the year splendidly and simultaneously start the new one with a bang, no less than one-hundred of your favorite trance tracks have made it to the final selection, made for the sole purpose of blowing your mind. comprising 2016s most awe-inspiring contributions from scene leaders such as armin van buuren, above & beyond, cosmic gate, ferry corsten, ¯rjan nilsen, gaia, andrew rayel, super8 & tab, rank 1, arty & andrew bayer, khomha, alex m.o.r.p.h. & paul van dyk, omnia, ilan bluestone and so many other key artists, this has got to be the biggest and baddest collection of trance highlights. this is trance 100 Ð best of 2016 and its the closest thing to trance heaven there is.

les graciŽs is a collaboration in the truest sense between paris-based sound artist ga‘l segalen and deepblak co-founder afrikan sciences. segalenÕs experiments in electroacoustic sound met the wider world this year via a debut lp for erratum, an arresting work that showcases her ability to merge hypnotic murk ala angus maclise with the hard concrŽte of parmegiani & reibel. segalenÕs ihearu imprint / organisation is a platform for her various doings, including psychogeographical audio works and multi-media collaborations, as well as servicing as a reference point for other contemporary female artists working across various mediums. eric douglas porter aka african sciences has been deconstructing and re-building forms of contemporary black music since the mid-2000Õs, through releases on deepblak (the label he co-runs with aybee) and pan. his musical universe is one of warping cadences and celestial melody, referencing the bold work of percussionists like milford graves & art jenkins, the dissonant chords of motor city techno and stripped back essence of early chicago house matched with broken hard bop sentiments: all tied together with an aesthetic that sits somewhere between sun raÕs omniverse, jean giraud mÏbius and dogon cosmology. together as le graciŽs, segalen and porter make a wholly unclassifiable strain of music that, while containing recognisable elements of each individual s work, also creates a third entity in the process, which can be heard to stunning effect on their forthcoming debut lp Ôlow dosesÕ for firecracker recordings.

hotflush are proud to introduce an exciting young artist, pyur, along with her singular debut lp epoch sinus. despite her relative newness, pyur meets the world with fully formed and unique signatures in both visual and sonic work, revealing a deep artistry that transcends medium. growing up in munich, in and amongst the same fecund scene that spawned artists like the zenker brothers and skee mask, pyur cut her teeth from a young age as a guitarist and singer before becoming spellbound by the electronic worldÕs endless scope for sound design. endowed with innately strong synaesthesia and reared in a shamanic household, she tells how music Òplayed the biggest role in my growth. it alone had the purpose to help me dissolve boundaries, discover the beauty of lifeÕs mechanisms, create freely. it talked. soon i felt like the music was making me, not the other way round.Ó epoch sinus is a seamless and heartfelt whole, a life-like being unto itself, describing the disintegration of barriers between the self and the all. here pyur offers an intimate and personal statement, combining knowledge of universal harmony with electronic music. she states: Òi m mainly influenced by my inner visions and nature itself, yet also a lot from club culture, which is undoubtedly an important space of connection and freedom for so many people. the record dances playfully between supposedly incompatible qualities: moments of brutality turn to softness, new life embraces decomposition, while explosive rhythmic and melodic structures are tempered with gentle and subtle percussion.

Ôjoy is bbfs fourth album and the first one to be truly vocalist-focused and song-centric. with the help of canadian poet-singer beaver sheppard who played an prominent role the composition, bbf explore what the band-members describe as Ôpost-religious themes, such as struggling to find joy in times of uncertainty and instability. this makes it without any doubt bbfs Ônietzsche album. following on from their latest album Ômiami (2013) bbf keeps moving away from the dark mood of their early releases and the image of a Ôclassical new music ensemble to resemble more closely an Ôexperimental rock band. with much more grit and growl than before, they draw upon genres and styles that are not conventionally associated with joy: krautrock, punk, drumnbass, indie rock, new wave, and pretty much every other Ô-wave from the 80s. with each track offering a contrasting combination of styles and genres, bff succeed in devoting a whole album to a single feeling without making it either monotone or clichŽ. instead, they build on euphoria to expand and enrich electronic musics emotional range

10 rare french disco and boogie titles, all produced between 1975 and 1984. check!! on one hand, tracks by overdrive, marchŽ noir, didier makaga or france-lise, were produced by underground artists and labels from the french caribbean and african community and also filled with the raw spirit of this tropical stamping. on the other hand, tracks by beckie bell, kelly, le club, or bernard guyvan, were released by major labels such as tr‘ma, carrere, disques vogue, or pathŽ marconi, thanks to confirmed independent producers, acting not only in france, but also in canada and the us.

flames & figures ist das zweite album von the seshen. ihr progressiver sound kombiniert synthesizer, drum maschinen, live percussion und hinrei§ende harmonien, die eine unverkennbare mischung aus r&b, synth-pop und elektronischer musik ergeben. die in san francisco ansŠssige siebenkšpfige band wird von sŠnger lalin st. juste und bassist / produzent akiyoshi ehara angefŸhrt. das duo wird von fŸnf bemerkenswerten musikern begleitet: sŠngerin kasha rockland, drummer chris thalmann, keyboarder mahesh rao, percussionist mirza kopelman und sampler kumar butler. sie supporteten live-bands wie hiatus kaiyote, thundercat, petite noir oder tune-yards. soundtechnisch irgendwo zwischen den koordinaten j dilla, little dragon, beach house und erykah badu anzusiedeln.

pathos essential dreams is just the beginning of a unique and beautiful musical trip in the heart of the aegean sea. during the summer of 2016 the decks of pathos lounge bar will host some of the worldÕs leading djs alongside its resident for this year, straight from buddha bar dubai, glass coffee. surrender to the pleasures of nature, embrace the sea, the sun, the wind and relax with a soothing drink against the backdrop of the aegean. in other words welcome to pathos

literary all the granny smith apple trees grown today, from uruguay to hokaido, are clones from mrs. smithÕs original tree in sydney. bananas, oranges, watermelons, garlic & other fruits of daily delight are routinely replicated without any input of external ideas - i.e., they are cloned. there is no general ethical or aesthetic decision to be formed about clones, since you have already imbibed them ever since your first bite. thus, you are not in a neutral or otherwise preliminary position, but already involved, kneedeep.

a collaboration between aphex twin (richard d. james) and µÐziq (mike paradinas), mike & rich - Õexpert knob twiddlersÕ was made back in 1994. richard edited the tracks into shape later in 1996 with his new apple mac computer and it was released later that year on rephlex, the label he co-owned and which released the first two albums by µ-ziq. this new reissued version has been carefully cleaned up, re-edited and remastered from the original dat tapes, put into a more fitting order and, more excitingly, seven new bonus tracks and alternative versions have also been added. the album was recorded over a few days during the 1994 world cup, back when richard lived in a big shared flat in stoke newington. richard had tried to collaborate with a few other likeminded artists but something clicked when mike and rich worked together and the sessions have a unique feel, playful and at times actually drunk. these are fun experiments in the spirit of lighthearted moog pop and ripe 70s british tv themes, standing out from the po-faced electronica of the time with a garish glee. the record was made on what is now seen as pretty primitive gear - an atari, roland mks-80, memorymoog, roland r8 and a handful of samples on a casio fz-10m - but itÕs to their credit that it resonates well with the hardware workouts coming out today. there s a broadminded but sloppy funk to the record, even whistling, singing and harpsichord in reg and wonky beat pile-ons in jelly fish . there s latin piano and wheezy drunken techno in ÔvodkaÕ, or the sleepy spaced out ambience of Ôbu bu bu ba with its barely contained laughter which seems to reflect the absurdity. the new versions and bonus tracks are an absolute delight - from a trancier version of Ôvodka to the wonky bounce of Ôportamento gosh , the 3/4 dub of waltz, the banging door bass of brivert and muonds , the creepy seasick atmosphere of clissold bathroom and finishing with the strangely graceful and serious organ plodder . a generous and welcome return to the racks

grandiose best-of-werkschau des Šgyptischen trance/progressive-duos aly & fila mit 40 ihrer besten tracks und remixes, darunter zeitlose clubhits wie we control the sunlight, lost language und rosaires, top-kollabos mit roger shah, thrillseekers und john o callaghan, sowie exzellente remixes von photographer, husman, arctic moon, w&w, james dymond und jorn van deynhoven.

afterlife and tale of us are proud to announce realm of consciousness-, a 10-piece compilation expanding the afterlife totality into a label. the label and events will complement each other with one aim, to bring the crowd into another dimension of music perception with enthralling production to that ignite the senses.

as both a producer and the helmsman of the outis music label, dino sabatini has carved out a distinctive musical style that shows a great reverence for both ancient archetypes and future possibilities for change (see, for example, his mnemosyne co-release with edit select, in which each track is dedicated to a separate greek goddess). with one foot planted in a mysterious past and the other foot planted in a world yet to arrive, sabatiniÕs works are carefully realized emotional journeys that intertwine shimmers of optimism with undercurrents of poignancy or nostalgia.

over the course of the past ten years, stil vor talent has striven to support emerging young artists, to continuously broaden and redefine its sound, and, ultimately, to create lasting memories, both on and off the dance floor. the dance floor is the place where we gather to leave the worries of our everyday lives behind, and, for those few moments, form a bond, which transcends the final track of the night. a bond between each other between the artist and the dancer between ourselves and the music. on 10 years stil vor talent we celebrate this bond and say thank you.

nihil is the new album from norwegian composer and sound artist anders broby.

intimate silence - a label with the philosophy to bring out music for the lonesome hours, the intimate moments and the wish for silence, healing the pain that other music is inflicting. the label s first release, filling the scars with light, comes from glos who is usually known for his techno outputs. in this 35 minutes piece he highlights his melancholic side in which he merely looses himself in long drafts about silence and intimacy.

like a discoverer, this project is a collection of underground producers from naples, well known as one of the most prolific city in the electronic/dance scene over the last 20 years. it s an overview of a wide range of electronic atmospheres, which include: techno-spacial, future-beats, acid, minimal, etc. with talented artists such as: dez (etichetta nera), spire (random numbers), dario caruson (logo rec.), slaker (urban distortions), and many other. positive feedback by: g-man (lfo), danilo vigorito (orion music), markantonio (analytic trail), roberto figus (etichettanera), giancarlo lanza (making you dance rec.), maurizio vitiello (smile it music), salvo buonocore (polluted rec.).

nice price deal !!! concealed sounds are very proud to announce martinez fourth studio album, -o-pen-. it has been about four years since he released his -paradigm shift- on moon harbour, and during this time he been busy experimenting in his studio to come up with a very mature sound rooted in the musical output we ve seen lately on his 12- releases for concealed sounds as well as other labels. on -o-pen- the focus is not to make any concept around the tracks or the album itself, but just to have ten full compositions that each have their individuality and not necessarily is the same genre or style. you ll hear more melodies again and instruments, as well as analogue drum machines and modular synths that creates the soundscape of this album. a very organic album, including all sounds from the usual house & techno to more dub, ambient and even jazz influences. we are very excited to release this piece of work. early support from: zip, ricardo villalobos, raresh, s.a.m. & sylphe.

better strangers is the debut album by manchester based producer acre, set for release by tectonic recordings on 6th november 2015. the album follows eps on both tectonic and sister label cold recordings and visionists pan collaboration label codes. as influenced by rave & jungle, grime and techno as electronica, ambient and drone, his ep releases have been rhythm driven snapshots of other-worldliness spliced with dancefloor sensibilities. acre has sought to explore a wider variety of textures on better strangers to re-contextualise elements from uk bass music, bring them away from the dancefloor and open up new possibilities.

from a festival to a feature to friendship, from techno to electronica to a band. in this manner towards twitter compatibility, one may describe eating snow s previous path, which has really just begun for douglas greed and mooryc, with only few characters. the two of them met in 2010 at a festival in poland, only shortly afterwards the joint tracks -pain- and -morning gloria- developed, which can be listened to on douglas greed s debut album krl. however, dougi and mooryc weren t just in tune with each other quickly, they also automatically arrived at a common sound despite their different musical roots, which ranges from sensual indietronica to powerful house right up to perfectly grooving pop moments.

itÕs the season of the juiciest, sweetest fruit, of shorts, tank tops and thongs, the time of year when you look at life through a dark pair of sunglasses. summer is also the time of year when lovers of soul, disco, funk, bossa, jazz and other similar grooves get together to enjoy the sunny vibrations sampled by guts and mambo from the world over.

welcome back to the movielike resonating sound world of the 23s. already in 2008 the mysterious one-man band proofed with the album ÒboliviaÓ that they are trying to do another kind of music Ð something that isnÕt entertainment, something that isnÕt show, something that goes gently straight to your soul. now the producer from nord-rhine-westphalia did it again and tuned in the longplayer ÒflamingoÓ. anew he delivers a special kind of cinematic journey music that grooves opposite to his other, more rhythm based hypnotic dance productions. also as the 23s he produces pattern-based music, but it pursues a different intention: each listener should dive into a hallucinatory world of seen and unseen films that his inner eye creates unprejudiced. all ten tracks are romantic smooth operators. they put themselves in service of an artistic vision, in which the listener should get lost in music. the album can be seen as a love-letter to the movie scores of the french 70s cinema or the impressionistic sound arrangements you can hear in the early cinema of peter greenaway. with double bass heat, discreet piano melodies, levitating guitar chords, some gentle horns here and there and beats that recollect the warm jazz influenced soul of oldschool hip-hop the 23s generate a sublime get-down-deep instrumental journey. you can listen to it attentive. or you can just play it in the back while doing whatever you like to do. it is recommended to play ÒflamingoÓ in a decent amount of volume as all loungey tracks begin to live bigger and brighter with sound intensity. if you play it flashy you will experience an atmospheric sometimes light-flooded, sometimes foggy 40-minute electronic journey that offers open-minded souls to fill the room between the notes with their very own milky fancy. soon the album will be accompanied by a bunch of remixes tuned in and twisted by producers like giegling and white artists edward, christian s of the c—meme tribe, canadian producer the mole and the german post rock and electronic music band to rococo rot.

gih proudly presents our new label, >alienus<. the first reference is a various artists compilation that introduces the concept of human decay in dystopian megacities. humankind is a foreigner in the third planet of the solar system and the ultimate responsible for its terrible ostracism in no other than this wretched creature s consciousness. >human consciousness is a tragic misstep in evolution. we became too self-aware. nature created an aspect of nature separate from itself. we are creatures that should not exist by natural law<

oliver schories is back with his 3rd album with more musically variety than before

nach einem fulminanten debŸtalbum, das sowohl dancefloors der welt als auch kritiker au§er atem lie§, kehrt jeremy guindo aka bambounou nun mit centrum in albumlŠnge zurŸck. guindo benutzt verspielte electro-synths (echter electro, siehe detroit), die den hšrer in einen trance-zustand versetzen, der durch die peitschenden percussions von tracks wie each other gestšrt wird. im gegensatz zu orbiting bewegt sich centrum eher weg von bass und footwork und hin zu ambient und techno.

6-page feature in the wire july 2014, featured on the hyperdub 10.3 compilation following up from the success of his emphatic pan releases dutch tvashar plumes and diversions 1994-1996 in 2012 (2 in facts albums of the year) pan is excited to announce koch (pronounced cotch), the new album from brummie/londoner lee gamble. sharing some stylistic affinity with his previous records, which excavated his deeply personal history with uk jungle and rave, and techno, this new work dives even deeper to reveal a singular and intimate musical vantage point, shifting to approaching music as projection, state,hallucination, an other place.

the theory of dark flow suggests some structure beyond our visible universe - hinting at myriad other worlds outside our limited horizon. its a controversial idea that fascinates bombay monkey, a band who like to create their own musical multiverse.

armada prŠsentiert die trance-hits der saison. 46 top-tunes von den spitzenvertretern des genres. brandneue clubstŸrmer und nagelneue remixes. mit armin van buuren, paul van dyk, dash berlin, paul oakenfold, giuseppe ottaviani, alex m.o.r.p.h., richard durand, u.v.a.

this new album features the music of calypso in its many styles. included is music from its birthplace - the island of trinidad - as well as a number of other caribbean islands (including jamaica and the bahamas) and its subsequent onwards journey (britain, panama and the united states), recorded during the years 1955-69.

anchored between the end of the 80s and the beginning of the 90s, when industrial music courted funk, when electro(nica) made a shy appearance and house was visceral and plaintive, also inspired by current r&b productions and futuristic hip-hop, tropics of love is a slow tempo record that shines like a steel sun and rings diabolically romantic.

amazing followup up album to other life.

following on from p-bens half life double header released in february on motech records, dj 3000s label heads to another new signing in march with two tracks by lionel weets, taken from his forthcoming debut album, stellar orchestra

pinning down sascha dive as cocoons deephouse wunderkind wouldnt really hit the nail on the head however it isnÕt far from truth. compared to most other artists of this genre he can for sure be classified as a young gun but there is no soundproof for his age in his music at all.

deep vibes recordings returns to the fore with none other than notorious frank heinrich aka reboot, purveyor of masterfully crafted rhythm etudes and a highly respected member of frankfurts vibrant house scene. with deep v, the offenbach-bred producer brings his seething second album to sascha dives imprint, bursting at the seams with intricate percussive bliss and nimble-footed grooves for the enthused dancer